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	<title>Learn English Online, Hoc Tieng Anh, Hoc Anh Van, Hoc Online, Hoc Tren Mang &#187; English Grammar</title>
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		<title>Silent Letters</title>
		<link>http://www.vietesl.com/english-grammar/silent-letters/</link>
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		<pubDate>Thu, 09 Feb 2012 11:39:38 +0000</pubDate>
		<dc:creator>thanhlangtu</dc:creator>
				<category><![CDATA[English Grammar]]></category>
		<category><![CDATA[Letters]]></category>
		<category><![CDATA[Silent]]></category>

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		<description><![CDATA[What are &#8216;silent letters&#8217;? A silent letter is a letter that appears in a particular word, but does not correspond to any sound in the word&#8217;s pronunciation. The bad news is that English has a lot of silent letters, and they create problems for both native and non-native speakers of English, because they make it [...]]]></description>
			<content:encoded><![CDATA[<h5>What are &#8216;silent letters&#8217;?</h5>
<p>A silent letter is a letter that appears in a particular word, but does not correspond to any sound in the word&#8217;s pronunciation. The bad news is that English has a lot of silent letters, and they create problems for both native and non-native speakers of English, because they make it more difficult to guess the spelling of many spoken words or the pronunciation of many written words.</p>
<h5>How do silent letters arise?</h5>
<ul>
<li>Pronunciation changes occurring without a spelling change. The &lt;gh&gt; spelling was in Old English pronounced /x/ in such words as light.</li>
<li>Sound distinctions from foreign languages may be lost, as with the distinction between smooth rho (?) and roughly aspirated rho (?) in Ancient Greek, represented by &lt;r&gt; and &lt;rh&gt; in Latin, but merged to the same [r] in English. Similarly with &lt;f&gt; / &lt;ph&gt;, the latter from Greek phi.</li>
<li>Clusters of consonants may be simplified, producing silent letters e.g. silent &lt;th&gt; in asthma, silent &lt;t&gt; in Christmas. Similarly with alien clusters such as Greek initial &lt;ps&gt; in psychology and &lt;mn&gt; in mnemonic.</li>
<li>Occasionally, spurious letters are inserted in a spelling. The &lt;b&gt; in debt and doubt was inserted to reflect Latin cognates like debit and dubitable.</li>
</ul>
<h5>Not all silent letters are completely redundant</h5>
<ul>
<li>Silent letters can distinguish between homophones, e.g. in/inn; be/bee; lent/leant. This is an aid to readers already familiar with both words.</li>
<li>Silent letters may give an insight into the meaning or origin of a word, e.g. vineyard suggests vines more than the phonetic &#8216;vinyard&#8217; would.</li>
<li>The final &lt;fe&gt; in giraffe gives a clue to the second-syllable stress, where &#8216;giraf&#8217; might suggest initial-stress.</li>
<li>Silent letters help to show long vowels e.g. rid/ride</li>
<li>Silent letters help to show &#8216;hard&#8217; consonants e.g. guest/gest</li>
<li>They can help to connect different forms of the same word e.g. resign/resignation.</li>
</ul>
<p>Since accent and pronunciation differ, letters may be silent for some speakers but not others. In non-rhotic accents, &lt;r&gt; is silent in such words as hard, feathered; in h-dropping accents, &lt;h&gt; is silent. A speaker may pronounce &lt;t&gt; in &#8220;often&#8221; or &#8220;tsunami&#8221; or neither or both.</p>
<p>Here are some examples of silent letters in use:-</p>
<p>A &#8211; artistically, logically, musically, romantically, stoically<br />
B &#8211; climb, comb, crumb, debt, doubt, numb, plumb, subtle, thumb, tomb,<br />
C &#8211; acquire, acquit, blackguard, czar, muscle, scissors, victual<br />
D &#8211; handkerchief, Wednesday<br />
E &#8211; When added to the end of a word, it changes the pronunciation of the word, but is in itself, silent.<br />
F &#8211; halfpenny<br />
G &#8211; align, alight, champagne, diaphragm, gnash, gnaw, high, light,reign, though,<br />
H &#8211; choir, exhaust, ghost, heir, hour, khaki, thyme<br />
I &#8211; business<br />
J (none)<br />
K &#8211; blackguard, knead, knell, knickers, knife, knight, knock, knot, know<br />
L &#8211; calf, calm, chalk, folk, half, psalm, salmon, talk, yolk<br />
M &#8211; mnemonic<br />
N &#8211; autumn, chimney, column, condemn, damn, hymn, solemn<br />
O &#8211; colonel &#8211; opossum<br />
P &#8211; corps, coup, pneumonia, pseudo, psychology, ptomaine, receipt<br />
Q (none)<br />
R &#8211; butter, finger, garden, here, myrrh<br />
S &#8211; aisle, apropos, bourgeois, debris, fracas, island, isle, viscount<br />
T &#8211; asthma, ballet, castle, gourmet, listen, rapport, ricochet, soften, thistle<br />
U &#8211; catalogue, colleague, dialogue, guess, guest, guide, guilt, guitar, tongue<br />
V (none)<br />
W &#8211; answer, sword, two, whole, whore, wrist, writ, write<br />
X &#8211; faux pas<br />
Y (none)<br />
Z &#8211; laissez-faire, rendezvous</p>
<p><strong></strong>Edward Carney distinguishes different kinds of &#8220;silent&#8221; letter, which present differing degrees of difficulty to readers and writers.</p>
<ul>
<li>Auxiliary letters which, with another letter, constitute digraphs, i.e. two letters combined which represent a single phoneme. These may further be categorized as:<br />
- &#8220;exocentric&#8221; digraphs, where the sound of the digraph is different from that of either of its constituent letters. These are rarely considered &#8220;silent&#8221;. There are examples:<br />
+ where the phoneme has no standard single-letter representation, as with consonants &lt;ng&gt; for /?/ as in sing, &lt;th&gt; for /?/ as in thin or /ð/ as in then, and &lt;sh&gt; for /?/ as in show, and diphthongs &lt;ou&gt; in out or &lt;oi&gt; in point. These are the default spellings for the relevant sounds and present no special difficulty for readers or writers.<br />
+ where standard single-letter representation uses another letter, as with &lt;gh&gt; in enough or &lt;ph&gt; in physical instead of &lt;f&gt;. These are irregular for writers but may be less difficult for readers.<br />
- &#8220;endocentric&#8221; digraphs, where the sound of the digraph is the same as that of one of its constituent letters. These include:<br />
+ most doubled consonants, as &lt;bb&gt; in clubbed; though not geminate consonants, as &lt;ss&gt; in misspell. Doubling due to suffixation or inflection is regular; otherwise it may present difficulty to writers (e.g. accommodate is often misspelt) but not to readers.<br />
+ the discontiguous digraphs whose second element is &#8220;magic e&#8221;, e.g. &lt;a_e&gt; in rate (cf. rat), &lt;i_e&gt; in fine (cf. fin). This is the regular way to represent &#8220;long&#8221; vowels in the last syllable of a morpheme.<br />
+ others such as &lt;ck&gt; (which is in effect the &#8220;doubled&#8221; form of &lt;k&gt;), &lt;gu&gt; as in guard, vogue; &lt;ea&gt; as in bread, heavy, etc. These are difficult for writers and sometimes for readers.</li>
<li>Dummy letters which bear no relation to neighbouring letters and have no correspondence in pronunciation<br />
- Some are inert letters, where the letter is sounded in a cognate word: e.g. &lt;n&gt; in damn (cf. damnation); &lt;g&gt; in phlegm (cf. phlegmatic); &lt;a&gt; in practically (cf. practical). If the cognate is obvious, it may aid writers in spelling, but mislead readers in pronunciation.<br />
- The rest are empty letters which never have a sound, e.g. &lt;w&gt; in answer, &lt;h&gt; in honest, &lt;s&gt; in island, &lt;b&gt; in subtle. These present the greatest difficulty to writers and often to readers.</li>
</ul>
<p>The distinction between &#8220;endocentric&#8221; digraphs and empty letters is somewhat arbitrary. For example, in such words as little and bottle one might view &lt;le&gt; as an &#8220;endocentric&#8221; digraph for /?l/, or view &lt;e&gt; as an empty letter; similarly with &lt;bu&gt; or &lt;u&gt; in buy and build.</p>
<p>source form: <a href="http://www.learnenglish.de/">learnenglish</a></p>



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		<title>Elocution, Accent Softening &amp; Voice Coaching &#8211; Stage 2</title>
		<link>http://www.vietesl.com/english-grammar/elocution-accent-softening-voice-coaching-stage-2/</link>
		<comments>http://www.vietesl.com/english-grammar/elocution-accent-softening-voice-coaching-stage-2/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 11:38:16 +0000</pubDate>
		<dc:creator>thanhlangtu</dc:creator>
				<category><![CDATA[English Grammar]]></category>
		<category><![CDATA[Accent Softening]]></category>
		<category><![CDATA[Elocution]]></category>
		<category><![CDATA[Voice Coaching]]></category>

		<guid isPermaLink="false">http://www.vietesl.com/?p=1705</guid>
		<description><![CDATA[Elocution has been around for centuries as a means of helping people to speak with more clarity and finesse. But can some simple elocution lessons or voice coaching lessons actually help improve your impact when you speak today? And does it really have some place in business training? In our earlier article &#8220;Elocution, Accent Softening &#38; [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Elocution has been around for centuries as a means of helping people to speak with more clarity and finesse. </strong>But can some simple elocution lessons or voice coaching lessons actually help improve your impact when you speak today? And does it really have some place in business training?</p>
<p>In our earlier article &#8220;Elocution, Accent Softening &amp; Voice Coaching &#8211; Stage 1&#8243; we looked at some simple breathing exercises and how reading out a paragraph aloud can help us get more emphasis and meaning when we speak.</p>
<p>In this second article on Elocution we&#8217;re going to carry on with some more of the typical exercises you can expect to cover in an elocution or voice coaching session and review what we covered last time as well.</p>
<p>So why not print out this article and find yourself a quiet room where you wont be disturbed and have a go with us.</p>
<p><strong>Elocution Lesson Three &#8211; Tongue Twisters</strong><br />
Now try and read out aloud the following &#8220;tongue twister&#8221;</p>
<p><em>&#8220;Three grey geese in a green field grazing&#8221;</em></p>
<p>And again &#8230; read it out aloud and faster. Don&#8217;t worry if you get mixed up with some of the words just try it again a few times till you can say it out loud ten times in 30 seconds. And remember to open your mouth as much as possible.</p>
<p>Now lets try another phrase. And of course you know the routine now &#8230; so try this one:-</p>
<p><em>&#8220;a proper copper coffee pot&#8221;</em></p>
<p>Read it out aloud 10 times yet?</p>
<p>Are you starting to feel as if your jaw, mouth and tongue are getting some exercise?</p>
<p>If not then you need to try the two tongue twisters again!</p>
<p><strong>Elocution Lesson Four &#8211; Recap</strong><br />
Now lets go back to the start.</p>
<p>1. Try our breathing control exercise again.</p>
<p>Ready? OK &#8230;Breathe in &#8230;.. deeply &#8230; remember to use your stomach &#8230; and now wait a few seconds &#8230;. then breathe out slowly &#8230;. and count out aloud as you do it &#8230;</p>
<p>&#8230; 1 &#8230; 2 &#8230; 3 &#8230; 4 &#8230; 5 &#8230; 6&#8230; 7 &#8230; 8 &#8230; 9 &#8230; 10 &#8230;</p>
<p>&#8230; 11 &#8230; 12 &#8230; 13 &#8230; 14 &#8230; 15 &#8230; 16 &#8230; 17 &#8230; 18 &#8230; 19 &#8230; 20.</p>
<p>Try and count all the way to 20 as you breathe out.</p>
<p>2. Now read out the text aloud and put in as much expression as you can, ensuring that every word is clearly heard. If you have a tape recorder &#8211; then record yourself.</p>
<p><em>It was a beautiful day in more ways than one when Gerry finally decided to ask Sally to marry him. The Summer weather had now settled down and although there were still a few clouds in the sky, it was a very bright, blue sky that greeted them as they left the motel. Gerry took Sally by the arm and embraced her. And in that moment, he knew they were meant for each other.</em></p>
<p>Listen to yourself when you are reading it out aloud. Does it sound any clearer and more articulate to you than it did the first time you tried to read it out?</p>
<p>What you have been doing (in a simplistic way) by the above exercise is a warm up. Many presenters, actors and public speakers spend lots of time in vocal exercises like that before going on stage or reading the news or giving a presentation so that when they start speaking to the audience they have already warmed up their voice and are able to &#8220;hit the road running&#8221;.</p>
<p>A lot of what you do in elocution lessons is similar to this. (The main difference of course is that you will be constantly getting constructive feedback on your progress from a highly experienced voice coach.) You&#8217;ll also work on specific vowel sounds (a, e, i, o, u) and consonants (b, c, d, f, g, h, &#8230; etc). These exercises will help you change the way some of your words sounds to the ear (vowel sounds) and also help you pronounce words more clearly (consonant sounds). You can use these exercises to soften or even (over time) lose an accent.</p>
<p><strong>Next Steps &#8230; Elocution Coach?</strong></p>
<p>Remember developing a great voice takes time and dedication. But there&#8217;s nothing to stop you starting to improve your own voice right now. In fact &#8230; you have done just that if you actually took part in these exercises above.</p>
<p>&#8230; and if you didn&#8217;t actually try out the exercises &#8230;</p>
<p>&#8230; but just skimmed through them silently &#8230; Why not try them?</p>
<p>&#8230; what have you got to lose?</p>
<p>We rarely read aloud these days. Why not start doing this. Pick up a paper or magazine and read some of the text out aloud. Not in front of people &#8211; otherwise they might think you a bit strange! But in the comfort of your own home.</p>
<p>Spend about 5 &#8211; 10 minutes a day reading out aloud &#8230; and by the end of your first week will not only have got used to doing this you will start to enjoy hearing the sound of your voice. You will also be on the road to achieving more from your voice.</p>
<p>And when you are reading the text in the papers or magazines &#8230; try and experiment reading them out with different emotions. Be angry &#8230; be mysterious &#8230; be humourous &#8230; and note how the tone of your voice changes when you change your emotions. And if you have the chance try recording yourself again.</p>
<p>If you&#8217;d like to take things further you might well want to have face to face elocution training with an experienced voice coach.</p>
<p>But remember &#8230; above all &#8230; have fun &#8230; and enjoy the experience.</p>
<p>source form: <a href="http://www.learnenglish.de/">learnenglish</a></p>



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		<title>Elocution, Accent Softening &amp; Voice Coaching &#8211; Stage 1</title>
		<link>http://www.vietesl.com/english-grammar/elocution-accent-softening-voice-coaching-stage-1/</link>
		<comments>http://www.vietesl.com/english-grammar/elocution-accent-softening-voice-coaching-stage-1/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 11:37:37 +0000</pubDate>
		<dc:creator>thanhlangtu</dc:creator>
				<category><![CDATA[English Grammar]]></category>
		<category><![CDATA[Accent Softening]]></category>
		<category><![CDATA[Elocution]]></category>
		<category><![CDATA[Voice Coaching]]></category>

		<guid isPermaLink="false">http://www.vietesl.com/?p=1704</guid>
		<description><![CDATA[Elocution Lessons &#8211; or simply how to make yourself heard at work Elocution has been around for centuries as a means of helping people to speak with more clarity and finesse. But can some simple elocution lessons or voice coaching lessons actually help improve your impact when you speak today? And does it really have [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Elocution Lessons &#8211; or simply how to make yourself heard at work</strong></p>
<p>Elocution has been around for centuries as a means of helping people to speak with more clarity and finesse. But can some simple elocution lessons or voice coaching lessons actually help improve your impact when you speak today? And does it really have some place in business training?</p>
<p>Try some of the very simple exercises in this and a followup article and find out for yourself if elocution or voice coaching might offer you a means of creating more impact the next time you are speaking.</p>
<p><strong>Elocution Lesson One &#8211; Breathing &amp; Relaxation</strong></p>
<p>&nbsp;</p>
<p>Firstly we are going to try and relax and take a few deep breaths. OK? And when you breathe in deeply try not to move your shoulders too much but breathe in from your belly (or stomach).</p>
<p>Ready? OK &#8230;Breathe in &#8230;.. deeply &#8230; remember to use your stomach &#8230; and now wait a few seconds &#8230;. then breathe out slowly &#8230;. and count out aloud as you do it &#8230;</p>
<p>&#8230; 1 &#8230; 2 &#8230; 3 &#8230; 4 &#8230; 5 &#8230; 6&#8230; 7 &#8230; 8 &#8230; 9 &#8230; 10 &#8230;</p>
<p>&#8230; 11 &#8230; 12 &#8230; 13 &#8230; 14 &#8230; 15 &#8230; 16 &#8230; 17 &#8230; 18 &#8230; 19 &#8230; 20.</p>
<p>Try and count all the way to 20 as you breathe out.</p>
<p>OK normal breath in again &#8230; and out.</p>
<p>Now lets try the deep breathing exercise again and count slowly all the way to 20.</p>
<p>So &#8230; Breathe in &#8230;.. deeply &#8230; and &#8230; wait a few seconds &#8230;. then breathe out slowly &#8230;. and count out aloud as you do it</p>
<p>&#8230; 1 &#8230; 2 &#8230; 3 &#8230; 4 &#8230; 5 &#8230; 6&#8230; 7 &#8230; 8 &#8230; 9 &#8230; 10 &#8230;</p>
<p>&#8230; 11 &#8230; 12 &#8230; 13 &#8230; 14 &#8230; 15 &#8230; 16 &#8230; 17 &#8230; 18 &#8230; 19 &#8230; 20.</p>
<p>&#8230;. try and count all the way to 20 as you breathe out.</p>
<p>&nbsp;</p>
<p><strong>Elocution Lesson Two &#8211; Text Reading</strong></p>
<p>How about reading out some text aloud? OK?</p>
<p>Print out this page. Then Find yourself a room where you wont be disturbed &#8211; or overheard!.</p>
<p>Now read the following paragraph:-</p>
<p><em><strong>It was a beautiful day in more ways than one when Gerry finally decided to ask Sally to marry him. The Summer weather had now settled down and although there were still a few clouds in the sky, it was a very bright, blue sky that greeted them as they left the motel. Gerry took Sally by the arm and embraced her. And in that moment, he knew they were meant for each other.</strong></em></p>
<p>Now read it again but this time think about how much your mouth is opening. Try and open your mouth as wide as possible when you speak each word. In fact try and speak each word individually and not as part of a sentence. Try and make each word sound clear as possible. Try and &#8220;spit&#8221; out each of the words.</p>
<p>OK that probably sounds somewhat strange! What we are trying to do there is to make each word have a beginning and an end. Oftentimes when we speak we &#8220;slurrrrrr&#8221; our speech and do not take enough effort to pronounce each word clearly enough.</p>
<p>So lets repeat the paragraph one more time. This time reading it as a whole piece of text (not individual words without meaning) and making it sound as exciting (and emotional) a moment for Jerry as you possibly can.</p>
<p>And how did that sound to you?</p>
<p><strong>In our next article &#8211; &#8220;Elocution, Accent Softening &amp; Voice Coaching &#8211; Stage 2&#8243;, we&#8217;ll look at how tongue twisters can help exercise the jaw, lips and tongue to help ensure more clarity when you speak.</strong></p>
<p>source form: <a href="http://www.learnenglish.de/">learnenglish</a></p>



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		<title>Simple Capitalisation Guide</title>
		<link>http://www.vietesl.com/english-grammar/simple-capitalisation-guide/</link>
		<comments>http://www.vietesl.com/english-grammar/simple-capitalisation-guide/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 10:48:27 +0000</pubDate>
		<dc:creator>thanhlangtu</dc:creator>
				<category><![CDATA[English Grammar]]></category>
		<category><![CDATA[Simple Capitalisation Guide]]></category>

		<guid isPermaLink="false">http://www.vietesl.com/?p=1663</guid>
		<description><![CDATA[Capitalisation Capital letters are used for two main purposes in English: to show the beginning of a sentence to show that a noun is a proper noun. The first letter of every new sentence is capitalised. For example:- The postman delivered the parcel. It was very heavy. The pronoun I is always capitalised. For example:- My name is [...]]]></description>
			<content:encoded><![CDATA[<h3>Capitalisation</h3>
<p>Capital letters are used for two main purposes in English:</p>
<ul>
<li>to show the beginning of a sentence</li>
<li>to show that a noun is a proper noun.</li>
</ul>
<ol>
<li>The first letter of every new sentence is capitalised.<br />
For example:-<br />
<strong>T</strong>he postman delivered the parcel.<strong> I</strong>t was very heavy.</li>
<li>The pronoun <strong>I </strong>is always capitalised.<br />
For example:-<br />
My name is Lynne, <strong>I </strong>am a teacher.</li>
<li>Proper nouns ( also called proper names) are the words which name specific people, organisations or places. They always start with a capital letter.</li>
</ol>
<p>For example:-</p>
<h5>Each part of a person&#8217;s name is a proper noun:-</h5>
<p>Lynne Hand &#8211; Elizabeth Helen Ruth Jones &#8230;</p>
<h5>The names of companies, organisations, newspapers or trade marks:-</h5>
<p>Microsoft &#8211; Rolls Royce &#8211; the Round Table &#8211; the Times &#8211; WWW</p>
<h5>Given or pet names of animals:-</h5>
<p>Lassie &#8211; Champion &#8211; Trigger &#8211; Skippy &#8211; Sam</p>
<h5>The names of cities and countries and words derived from those proper nouns such as languages:-</h5>
<p>Paris &#8211; London &#8211; New York &#8211; England &#8211; English &#8211; French</p>
<h5>Geographical and Celestial Names:-</h5>
<p>the Red Sea &#8211; Alpha Centauri &#8211; Mars &#8211; the River Thames</p>
<h5>Particular places such as streets, monuments, buildings, meeting rooms:-</h5>
<p>Manvers Road (the road), the Taj Mahal &#8211; the Eiffel Tower (the tower) &#8211; Room 222 (the room)</p>
<h5>Historical events, documents, acts, and specific periods of time:-</h5>
<p>the Civil War &#8211; the Declaration of Independence &#8211; the Freedom of Information Act &#8211; World War I -</p>
<h5>Months, days of the week, holidays and special days:-</h5>
<p>December &#8211; Monday &#8211; Christmas &#8211; Valentine&#8217;s Day (note seasons are <em>not</em> capitalised spring &#8211; summer &#8211; autumn &#8211; winter)</p>
<h5>Religions, deities, scriptures:-</h5>
<p>Christ &#8211; God &#8211; Jehovah &#8211; Mohammed &#8211; Christianity &#8211; Islam &#8211; Judaism &#8211; the Bible &#8211; the Koran &#8211; the Torah</p>
<h5>Awards, vehicles, vehicle models and names, brand names:-</h5>
<p>the Nobel Peace Prize &#8211; the Scout Movement &#8211; Ford Focus &#8211; the Bismarck &#8211; Kleenex &#8211; Hoover</p>
<p>!Note - You don&#8217;t need to capitalise the name of any currency in English.</p>
<p>source from: <a href="http://www.learnenglish.de/">learnenglish</a></p>



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		<title>Simple Pluralisation Guide</title>
		<link>http://www.vietesl.com/english-grammar/simple-pluralisation-guide/</link>
		<comments>http://www.vietesl.com/english-grammar/simple-pluralisation-guide/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 10:48:26 +0000</pubDate>
		<dc:creator>thanhlangtu</dc:creator>
				<category><![CDATA[English Grammar]]></category>
		<category><![CDATA[Simple Pluralisation Guide]]></category>

		<guid isPermaLink="false">http://www.vietesl.com/?p=1659</guid>
		<description><![CDATA[Plural Noun Forms Regular Plurals The plural form of most nouns is created simply by adding the letter &#8216;s&#8217; to the end of the word . For example:- minute &#8211; minutes &#124; horse &#8211; horses &#124; bag &#8211; bags Nouns that end in -ch, -x, -s, -sh, z or s-like sounds, the plural is formed by adding &#8216;es&#8216; to the end of [...]]]></description>
			<content:encoded><![CDATA[<h3>Plural Noun Forms</h3>
<h4><a id="Regular" name="Regular"></a>Regular Plurals</h4>
<p>The plural form of most <a href="http://www.learnenglish.de/grammar/nountext.htm">nouns</a> is created simply by adding the letter <em>&#8216;s&#8217; </em>to the end of the word <em>.</em></p>
<p><em>For example:-</em></p>
<ul>
<li>minute &#8211; minutes | horse &#8211; horses | bag &#8211; bags</li>
</ul>
<p>Nouns that end in -<em>ch, -x, -s, -sh</em>, z or <em>s-like </em>sounds, the plural is formed by adding &#8216;<em>es</em>&#8216; to the end of the word.</p>
<p><em>For example:-</em></p>
<ul>
<li>church &#8211; churches | box &#8211; boxes | gas &#8211; gases | bush &#8211; bushes | ass &#8211; asses</li>
</ul>
<p>Nouns that end in a single -z, the plural is formed by adding &#8216;<em>zes</em>&#8216; to the end of the word.</p>
<p><em>For example:-</em></p>
<ul>
<li>quiz &#8211; quizzes</li>
</ul>
<p>Most nouns ending in -<em>o</em> preceded by a consonant also form their plurals by adding &#8216;<em>es</em>&#8216; .</p>
<p><em>For example:-</em></p>
<ul>
<li>potato &#8211; potatoes | tomato &#8211; tomatoes | volcano &#8211; volcanoes</li>
</ul>
<p>However many newly created words and words with a Spanish or Italian origin that end in -<em>o</em> just add an &#8216;<em>s</em>&#8216;.</p>
<p><em>For example:-</em></p>
<ul>
<li>photo &#8211; photos | piano &#8211; pianos | portico &#8211; porticos</li>
</ul>
<p>Nouns ending in a consonant + <em>y</em>, drop the <em>y </em>and add &#8216;<em>ies</em>&#8216;<em>.</em></p>
<p><em>For example:-</em></p>
<ul>
<li>party &#8211; parties | lady &#8211; ladies</li>
</ul>
<p>Most nouns ending in -f or -fe, drop the <em>f</em> and add &#8216;<em>ves</em>&#8216;<em>.</em></p>
<p><em>For example:-</em></p>
<ul>
<li>calf &#8211; calves | half &#8211; halves | wolf &#8211; wolves</li>
</ul>
<p>Most words ending in -is, drop the -is and add -es.</p>
<p><em>For example:-</em></p>
<ul>
<li>crisis &#8211; crises | hypothesis &#8211; hypotheses | oasis &#8211; oases</li>
</ul>
<h4><a href="http://www.learnenglish.de/grammar/pluraltext.htm#top"><img src="http://www.learnenglish.de/i/navigate/up.gif" alt="Top" width="14" height="14" border="0" /></a></h4>
<h4><a id="Irregular" name="Irregular"></a>Irregular Plurals</h4>
<p>There are many common nouns that have irregular plurals.</p>
<p>Many common nouns connected with human beings seem to be irregular.</p>
<p><em>For example:-</em></p>
<ul>
<li>child &#8211; children | person &#8211; people | man &#8211; men | woman &#8211; women</li>
</ul>
<p>Other irregular common nouns are:-</p>
<p>foot &#8211; feet | mouse &#8211; mice | tooth &#8211; teeth</p>
<p>Some nouns have identical plural and singular forms, although they are still considered to have a plural form.</p>
<p><em>For example:-</em></p>
<ul>
<li>aircraft &#8211; aircraft | fish &#8211; fish | headquarters &#8211; headquarters | sheep &#8211; sheep | species &#8211; species</li>
</ul>
<p><a href="http://www.learnenglish.de/grammar/noununcount.htm">Uncountable nouns</a> on the other hand have no plural form and take a singular verb (is / was &#8230;).</p>
<p><em>For example:-</em></p>
<ul>
<li>advice | information | luggage | news</li>
</ul>
<p>Some nouns (especially those associated with two things) exist only in the plural form and take a plural verb (are / were&#8230;).</p>
<p><em>For example:-</em></p>
<ul>
<li>cattle | scissors | trousers | tweezers | congratulations | pyjamas</li>
</ul>
<p>Nouns that stem from older forms of English or are of foreign origin often have odd plurals.</p>
<p><em>For example:-</em></p>
<ul>
<li>ox &#8211; oxen | index &#8211; indices or indexes</li>
</ul>
<p>In <a href="http://www.learnenglish.de/grammar/nouncompound.htm">compound nouns</a> the plural ending is usually added to the main noun.</p>
<p><em>For example:-</em></p>
<ul>
<li>son-in-law &#8211; sons-in-law | passer-by &#8211; passers-by</li>
</ul>
<h4><a id="latin" name="latin"></a>Words ending in -us</h4>
<p>Linguists can argue for hours about the plural ending of nouns ending in -us. Many of these words are loanwords from Latin and preserve their Latin plural form, replacing the -us suffix with -i, but of course not all words ending in -us have a Latin origin , and some Latin words ending in -us were not pluralized with -i. hence the argument.</p>
<p><em>For example:-</em></p>
<p>The English plural of <em>virus</em> is <em>viruses</em>, not <em>viri</em>.</p>
<p>Other Latin loanwords that take the regular English plural -es ending include campus &#8211; campuses | bonus<em> - </em>bonuses</p>
<p>Latin loanwords that take a -i plural ending include radius - radii |  alumnus - alumni</p>
<p>If you want to bait a linguist ask them if the plural of crocus is crocuses or croci, or whether the plural of octopus is octopuses, octopi or octopodes.</p>
<p>!Note - Some nouns just create controversy. Did you know that the proper plural spelling for roof is <em>rooves</em> and not the more common <em>roofs?</em></p>
<p>source from: <a href="http://www.learnenglish.de/">learnenglish</a></p>



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		<title>Simple Guide to Prefixes</title>
		<link>http://www.vietesl.com/english-grammar/simple-guide-to-prefixes/</link>
		<comments>http://www.vietesl.com/english-grammar/simple-guide-to-prefixes/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 10:48:25 +0000</pubDate>
		<dc:creator>thanhlangtu</dc:creator>
				<category><![CDATA[English Grammar]]></category>
		<category><![CDATA[Simple Guide to Prefixes]]></category>

		<guid isPermaLink="false">http://www.vietesl.com/?p=1660</guid>
		<description><![CDATA[What is a prefix? A prefix (affix) is a word, or letter(s) placed at the beginning of another word (a base word) to adjust or qualify its usage or meaning. The opposite of prefix is suffix. List of English Prefixes Prefix General Meaning Example a(n)- not , without atonality , asexuality , amoral , anarchy ab- [...]]]></description>
			<content:encoded><![CDATA[<h4>What is a prefix?</h4>
<p>A prefix (affix) is a word, or letter(s) placed at the beginning of another word (a base word) to adjust or qualify its usage or meaning. The opposite of prefix is <a href="http://www.learnenglish.de/grammar/suffixtext.htm">suffix</a>.</p>
<table width="95%" border="0" cellpadding="3" align="center">
<tbody>
<tr>
<td>
<h2>List of English Prefixes</h2>
<table cellspacing="0" cellpadding="0">
<tbody>
<tr>
<th width="153">
<h5>Prefix</h5>
</th>
<th width="267">
<h5>General Meaning</h5>
</th>
<th width="523">
<h5>Example</h5>
</th>
</tr>
<tr>
<td>a(n)-</td>
<td>not , without</td>
<td>atonality , asexuality , amoral , anarchy</td>
</tr>
<tr>
<td>ab-</td>
<td>away</td>
<td>abduction , absolutism , ablution</td>
</tr>
<tr>
<td>ac-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>acr(o)-</td>
<td>high, up</td>
<td>Acropolis</td>
</tr>
<tr>
<td>aden(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>aer(o)-</td>
<td>air</td>
<td>aeronautics , aerodrome , aeroplane , aerodynamics</td>
</tr>
<tr>
<td>agr(o)-</td>
<td>relating to farming</td>
<td>agriculture</td>
</tr>
<tr>
<td>an-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>an(a)-</td>
<td>out of</td>
<td>anachronism</td>
</tr>
<tr>
<td>an(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>andr-</td>
<td>man</td>
<td>androgyny , androcentrism , android , androgen</td>
</tr>
<tr>
<td>anem-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>Anglo-</td>
<td>English or British</td>
<td>Anglo-Irish relations, anglophile</td>
</tr>
<tr>
<td>ante-</td>
<td>before</td>
<td>antebellum</td>
</tr>
<tr>
<td>anthrop(o)-</td>
<td>relating to human beings</td>
<td>anthropology , anthropocentrism , anthropomorphic</td>
</tr>
<tr>
<td>ant(i)-</td>
<td>against</td>
<td>antidote , antibody , anticlockwise</td>
</tr>
<tr>
<td>aut(o)-</td>
<td>self</td>
<td>autonomy , autobiography , automobile , autopilot</td>
</tr>
<tr>
<td>bar(o)-</td>
<td>atmosphere</td>
<td></td>
</tr>
<tr>
<td>bathy-</td>
<td>deep</td>
<td>Bathyscape , Bathysphere</td>
</tr>
<tr>
<td>be-</td>
<td>completely, thoroughly; excessively; on; around; about; used to form transitive verbs</td>
<td></td>
</tr>
<tr>
<td>bi-</td>
<td>two</td>
<td>bicycle , bijection , bilingual , bicameralism , bisexuality</td>
</tr>
<tr>
<td>bi(o)-</td>
<td>life</td>
<td>biology , biography , biosphere , biotechnology</td>
</tr>
<tr>
<td>bibli(o)-</td>
<td>relating to books</td>
<td>bibliophilia , bibliography</td>
</tr>
<tr>
<td>blast(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>brady-</td>
<td>slow</td>
<td>bradycardia</td>
</tr>
<tr>
<td>brom(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>bronch(o)-</td>
<td>relating to breathing</td>
<td>bronchitis</td>
</tr>
<tr>
<td>cac(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>cardi(o)-</td>
<td>heart</td>
<td>cardiovascular</td>
</tr>
<tr>
<td>cent-, centi -</td>
<td>hundred or hundredth</td>
<td>centenary, centimeter, centipede</td>
</tr>
<tr>
<td>cephal(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>chrom(o)-, chromat(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>chron(o)-</td>
<td>time</td>
<td>chronology, chronograph</td>
</tr>
<tr>
<td>circum-</td>
<td>around</td>
<td>circumcision, circumnavigation, circumlocution, circumference</td>
</tr>
<tr>
<td>cion(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>co-</td>
<td>together</td>
<td>cooperative, cohabit</td>
</tr>
<tr>
<td>colpo-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>com-, con-, col-, cor-</td>
<td>with, together</td>
<td>conference , connotation , context , Congress , congregation</td>
</tr>
<tr>
<td>contr(a)-, contr(o)</td>
<td>against, opposite</td>
<td>contradiction , contraception , controversy</td>
</tr>
<tr>
<td>cosm(o)-</td>
<td></td>
<td>cosmology , cosmopolitan , cosmotheism</td>
</tr>
<tr>
<td>counter-</td>
<td>against, opposite</td>
<td>counterpoint , counterweight , Counter-Reformation</td>
</tr>
<tr>
<td>crin(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>cry(o)-</td>
<td>frost , icy cold</td>
<td>cryogenics , cryoelectronics , cryostorage</td>
</tr>
<tr>
<td>crypt(o)-</td>
<td>hidden</td>
<td>cryptography , cryptozoology</td>
</tr>
<tr>
<td>cyt(o)-</td>
<td>hollow, receptacle, cell</td>
<td>cytoplasm , cytology</td>
</tr>
<tr>
<td>dactyl(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>de-</td>
<td>taking something away, the opposite</td>
<td>decentralisation , deforestation , dehydration</td>
</tr>
<tr>
<td>dec(a)-, dek(a)-</td>
<td>ten</td>
<td>decamerous</td>
</tr>
<tr>
<td>deci -</td>
<td>one tenth</td>
<td>deciliter</td>
</tr>
<tr>
<td>dem(o)-</td>
<td>people, nation</td>
<td>demographics , democracy</td>
</tr>
<tr>
<td>derm(o)-, derm(a)-, dermat-</td>
<td>skin</td>
<td>dermatology , dermatitis</td>
</tr>
<tr>
<td>di-</td>
<td>two , double</td>
<td></td>
</tr>
<tr>
<td>didact(o)-</td>
<td>apt at teaching</td>
<td></td>
</tr>
<tr>
<td>dynam(o)-</td>
<td>power , force</td>
<td>dynamic , dynamite , dynamo</td>
</tr>
<tr>
<td>dis-</td>
<td>reverse , opposite</td>
<td>dissent , discovery , disambiguation</td>
</tr>
<tr>
<td>dox(o)-</td>
<td>Doxology</td>
<td></td>
</tr>
<tr>
<td>dys-</td>
<td>bad, deformed, abnormal</td>
<td>dyspepsia , dystrophy , dysarthria</td>
</tr>
<tr>
<td>eco-</td>
<td>house</td>
<td>economy , ecology , ecosystem , ecotourism , ecotage</td>
</tr>
<tr>
<td>ecto(s)-</td>
<td>outside</td>
<td>ectoskeleton</td>
</tr>
<tr>
<td>edaph(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>electr(o)-</td>
<td>electricity</td>
<td>electrocution</td>
</tr>
<tr>
<td>embry(o)-</td>
<td>full</td>
<td></td>
</tr>
<tr>
<td>encephal(o)-</td>
<td>brain</td>
<td>encephalitis</td>
</tr>
<tr>
<td>end(o)-, ent(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>enne(a)-</td>
<td>nine</td>
<td>enneastyle</td>
</tr>
<tr>
<td>enter(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>eo-</td>
<td>dawn, early</td>
<td>eobacterium</td>
</tr>
<tr>
<td>ep(i)-, eph-</td>
<td>above</td>
<td>epitaxy</td>
</tr>
<tr>
<td>erg(o)-</td>
<td></td>
<td>ergonomics</td>
</tr>
<tr>
<td>erythr(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>erot(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>stom(o)-, stomat(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>ethn(o)-</td>
<td></td>
<td>ethnology , ethnolinguistics , ethnocentrism</td>
</tr>
<tr>
<td>eu-</td>
<td>good</td>
<td>eulogy , euthanasia , eugenics , euphemism</td>
</tr>
<tr>
<td>ex-</td>
<td>former</td>
<td>ex-wife, ex-president</td>
</tr>
<tr>
<td>ex(o)-</td>
<td>outside</td>
<td>exoskeleton</td>
</tr>
<tr>
<td>extra-</td>
<td>very, more than usual, outside, beyond</td>
<td>extra-thin, extra-specialextraordinary, extraterrestrial</td>
</tr>
<tr>
<td>flor(i)-</td>
<td>relating to flowers</td>
<td>florist</td>
</tr>
<tr>
<td>fore-</td>
<td>before, in advance</td>
<td>foreskin , foreshadowing</td>
</tr>
<tr>
<td>gyn-</td>
<td>female</td>
<td>gynaecology , gynoid</td>
</tr>
<tr>
<td>hemi-</td>
<td>half</td>
<td>hemimetabolous</td>
</tr>
<tr>
<td>hex(a)-</td>
<td>six</td>
<td>hexapod</td>
</tr>
<tr>
<td>hyper-</td>
<td>excessive, (least to greatest in order: hypo, sub, super, hyper)</td>
<td>hyperactive , hyperthyroidism</td>
</tr>
<tr>
<td>hyp(o)-</td>
<td>below, (least to greatest in order: hypo, sub, super, hyper)</td>
<td>hypodermic</td>
</tr>
<tr>
<td>in-</td>
<td>extremely</td>
<td>inflammable , invaluable</td>
</tr>
<tr>
<td>in-, il-, im-, ir-</td>
<td>not</td>
<td>infallibility , illiteracy , immoral , irrelevant</td>
</tr>
<tr>
<td>inter-</td>
<td>between, from one to another</td>
<td>intervention , international</td>
</tr>
<tr>
<td>intra-</td>
<td>within, interior</td>
<td>intramural, intravenous</td>
</tr>
<tr>
<td>kilo -</td>
<td>thousand</td>
<td>kilogram , kilowatt</td>
</tr>
<tr>
<td>mal-</td>
<td>bad, badly</td>
<td>malpractice , malnutrition</td>
</tr>
<tr>
<td>maxi-</td>
<td>most, very, large</td>
<td>maxi-dress</td>
</tr>
<tr>
<td>mega -, megal-</td>
<td>million , very large</td>
<td>megabyte , megaphone</td>
</tr>
<tr>
<td>meta-</td>
<td>after, beyond</td>
<td>metacarpal , metaphysics</td>
</tr>
<tr>
<td>micro -</td>
<td>one millionth, very small</td>
<td>microgram , microorganism , micronation</td>
</tr>
<tr>
<td>mid-</td>
<td>in the middle of</td>
<td>mid-term elections , Mid-Autumn Festival , Mid-Atlantic Ridge</td>
</tr>
<tr>
<td>milli -</td>
<td>thousandth</td>
<td>milligram , milliliter</td>
</tr>
<tr>
<td>mini-</td>
<td>small</td>
<td>miniskirt , miniscule</td>
</tr>
<tr>
<td>mis-</td>
<td>bad , wrong</td>
<td>miscarriage , misanthropy , misogyny</td>
</tr>
<tr>
<td>mon(o)-</td>
<td>one , single</td>
<td>monolith , monorail , monotony , monocle</td>
</tr>
<tr>
<td>multi-</td>
<td>many</td>
<td>multiculturalism , multilingual</td>
</tr>
<tr>
<td>non-</td>
<td>not</td>
<td>nonsense, non-denial denial</td>
</tr>
<tr>
<td>non-</td>
<td>nine</td>
<td>none, nonagon</td>
</tr>
<tr>
<td>oct(o)-, oct(a)-</td>
<td>eight</td>
<td>octane , octopod , octagon</td>
</tr>
<tr>
<td>oo- (&#8221; oo -oh&#8221;)</td>
<td>egg, ovum</td>
<td>oocyte</td>
</tr>
<tr>
<td>out-</td>
<td>more, to  a  greater degree</td>
<td>to outdo, to outrun</td>
</tr>
<tr>
<td>over-</td>
<td>more than normal, too much</td>
<td>overpopulation , over-consumption</td>
</tr>
<tr>
<td>pent(a)-</td>
<td>five</td>
<td>pentagon</td>
</tr>
<tr>
<td>post-</td>
<td>after</td>
<td>Post-Fordism , postpartum depression , postmodernity , postmodernism</td>
</tr>
<tr>
<td>pre-</td>
<td>before</td>
<td>prediction , preview , precedent , prenatal care</td>
</tr>
<tr>
<td>pro-</td>
<td>for, in favour of</td>
<td>pro-choice, pro-life, promotion</td>
</tr>
<tr>
<td>quadr-, quart-</td>
<td>four</td>
<td>quadrangle , quadruplet , quartic , quartile</td>
</tr>
<tr>
<td>quin(que)-</td>
<td>five , into five parts</td>
<td>quinquesection</td>
</tr>
<tr>
<td>quint(i)-</td>
<td>fifth , five</td>
<td>quintiped</td>
</tr>
<tr>
<td>re-</td>
<td>again, repeatedly</td>
<td>reduction , reflection , revolution</td>
</tr>
<tr>
<td>rect(i)-</td>
<td>proper, straight</td>
<td>rectify, rectangle</td>
</tr>
<tr>
<td>scler(o)-</td>
<td>hard</td>
<td>scleroderma atherosclerosis</td>
</tr>
<tr>
<td>semi-</td>
<td>half</td>
<td>semi-automatic , semi-detached</td>
</tr>
<tr>
<td>sept(a)-</td>
<td>seven</td>
<td>heptachord</td>
</tr>
<tr>
<td>sex(i)-</td>
<td>six</td>
<td>sexivalent</td>
</tr>
<tr>
<td>Sino-</td>
<td>Chinese</td>
<td>Sino-American relations</td>
</tr>
<tr>
<td>spasm(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>sperm(o)-, spermat(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>spher(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>sphygm(o)-</td>
<td>pulso</td>
<td>sphygmomanometer</td>
</tr>
<tr>
<td>splen(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>splanchn(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>schiz(o)-, schist(o)-</td>
<td>split</td>
<td>schizophrenia , schistocyte</td>
</tr>
<tr>
<td>staphyl(o)-</td>
<td></td>
<td></td>
</tr>
<tr>
<td>styl(o)-</td>
<td>pillar</td>
<td></td>
</tr>
<tr>
<td>sub-</td>
<td>below, less than, under,(least to greatest in order: hypo, sub, super, hyper)</td>
<td>subset , subsonic , subway , subtitles</td>
</tr>
<tr>
<td>super-</td>
<td>extremely, more than, (least to greatest in order: <em>hypo, sub, super, hyper</em>)</td>
<td>superhuman , Superego , supersonic</td>
</tr>
<tr>
<td>syn-</td>
<td>along with, together, at the same time</td>
<td>synergy , synchronicity</td>
</tr>
<tr>
<td>tach(y)-, tach(o)-</td>
<td>fast, speed</td>
<td>tachycardia , tachometer</td>
</tr>
<tr>
<td>tel(e)-, tel(o)-</td>
<td>far, over  a  long distance</td>
<td>telecommunications , television , telephoto lens , telodynamic</td>
</tr>
<tr>
<td>tel(o)-, tel(e)-</td>
<td>end, complete, mature</td>
<td>teloblast</td>
</tr>
<tr>
<td>trans-</td>
<td>across, beyond</td>
<td>transfer , transubstantiation , transatlantic , Trans-Siberian railway</td>
</tr>
<tr>
<td>tri-</td>
<td>three</td>
<td>triangle , tricolor , triptych</td>
</tr>
<tr>
<td>ultra-</td>
<td>extremely, beyond  a  certain limit</td>
<td>Ultramontanism , ultraviolet</td>
</tr>
<tr>
<td>un-</td>
<td>not, opposite, take something away</td>
<td>unconstitutional , undelete</td>
</tr>
<tr>
<td>uni-</td>
<td>one , single</td>
<td>uniform , unification</td>
</tr>
<tr>
<td>ur-</td>
<td>first, original</td>
<td>urtext</td>
</tr>
<tr>
<td>zoo- (&#8221; zoo -oh&#8221;)</td>
<td>relating to animals</td>
<td>zoomorphic , zoology</td>
</tr>
</tbody>
</table>
</td>
</tr>
</tbody>
</table>
<p>&nbsp;</p>
<p>source from: <a href="http://www.learnenglish.de/">learnenglish</a></p>



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		<title>Simple Punctuation Guide</title>
		<link>http://www.vietesl.com/english-grammar/simple-punctuation-guide/</link>
		<comments>http://www.vietesl.com/english-grammar/simple-punctuation-guide/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 10:48:24 +0000</pubDate>
		<dc:creator>thanhlangtu</dc:creator>
				<category><![CDATA[English Grammar]]></category>
		<category><![CDATA[Simple Punctuation Guide]]></category>

		<guid isPermaLink="false">http://www.vietesl.com/?p=1661</guid>
		<description><![CDATA[Punctuation means making points. It means putting the right kind of points in the right place so as to mark the exact length and meaning of sentences. Proper punctuation is essential in written English to enable the reader to understand what it is you are trying to say. Spacing with punctuation is also important to [...]]]></description>
			<content:encoded><![CDATA[<p>Punctuation means making points. It means putting the right kind of points in the right place so as to mark the exact length and meaning of sentences. Proper punctuation is essential in written English to enable the reader to understand what it is you are trying to say. Spacing with punctuation is also important to make your writing readable. Here are some English punctuation rules.</p>
<table width="95%" border="0" align="center" bgcolor="#C0C0C0">
<tbody>
<tr>
<td colspan="5" align="center" bgcolor="#ffffff" height="19">
<h4>Common Punctuation Marks</h4>
</td>
</tr>
<tr>
<th align="center" bgcolor="#ffffff"></th>
<th align="center" bgcolor="#ffffff" height="19"><strong>. full stop (period USA)<br />
! exclamation mark<br />
? question mark</strong></th>
<th align="center" bgcolor="#ffffff"><strong>, comma </strong><br />
: colon<br />
; semi colon</th>
<th align="center" bgcolor="#ffffff">&#8216; apostrophe<br />
&#8221; &#8221; quotation marks<br />
- hyphen</th>
<th align="center" bgcolor="#ffffff"></th>
</tr>
<tr>
<td colspan="5" align="center" bgcolor="#ffffff" height="19"><strong>Apostrophes [']</strong></td>
</tr>
<tr>
<td colspan="5" align="center" bgcolor="#ffffff" height="19">
<div align="left">Apostrophes next to the letter (<strong><em>&#8216;s</em></strong>) indicate possession or belonging. No space is needed before or after the apostrophe.</div>
</td>
</tr>
<tr>
<td colspan="5" align="center" bgcolor="#ffffff" height="19">
<p align="left"><strong><em>For example:-</em></strong></p>
<p align="left">This is Lynne<strong>&#8216;</strong>s web site.</p>
</td>
</tr>
<tr>
<td colspan="5" align="center" bgcolor="#ffffff" height="19">
<div align="left">They are also used to show missing letters in shortened words, especially in informal writing. No space is needed before or after the apostrophe.</div>
</td>
</tr>
<tr>
<td colspan="5" align="center" bgcolor="#ffffff" height="19">
<div align="left">
<p><strong><em>For example:-</em></strong></p>
<p>It<strong>&#8216;</strong>s a nice day today<strong>,</strong> isn<strong>&#8216;</strong>t it? I<strong>&#8216;</strong>ve got an idea. Let<strong>&#8216;</strong>s go out.</p>
<div align="left"><img src="http://www.learnenglish.de/i/navigate/up.gif" alt="Top" width="14" height="14" border="0" /></div>
</div>
</td>
</tr>
</tbody>
</table>
<table width="95%" border="0" align="center" bgcolor="#C0C0C0">
<tbody>
<tr>
<th bgcolor="#CCCCCC">Exclamation marks [!]</th>
</tr>
<tr>
<td bgcolor="#CCCCCC">Exclamation marks act as a full stop. An exclamation mark is most often used to show shock, surprise, horror or pleasure. As with full stops you do not put a space before an exclamation mark, but you do need at least one space after one (two spaces for purists). There&#8217;s an increasing tendency to overuse them on the internet. Stick to the rule of one exclamation mark per sentence.</td>
</tr>
<tr>
<td bgcolor="#CCCCCC"><strong><em>For example:-</em></strong></p>
<p>Oh<strong>!</strong><strong> </strong>Wow<strong>!</strong> Brilliant<strong>!</strong> etc&#8230;</p>
<p>It was schocking<strong>!</strong></td>
</tr>
<tr>
<td bgcolor="#ffffff">
<div align="center">
<div align="left"><img src="http://www.learnenglish.de/i/navigate/up.gif" alt="Top" width="14" height="14" border="0" /></div>
<p><strong>Commas [,]</strong></p>
</div>
</td>
</tr>
<tr>
<td align="center" bgcolor="#ffffff">
<div align="left">Commas point out brief pauses in a complex sentence or separate items in long lists. They are useful for breaking up long sentences, but only to show a natural break. You do not put a space before a comma, but you do need a space after one.</div>
</td>
</tr>
<tr>
<td align="center" bgcolor="#ffffff">
<div align="left">
<p><strong><em>For example:-</em></strong></p>
<p>There were a lot of people in the room<span style="font-size: x-small">,</span> teachers<span style="font-size: x-small">,</span> students and parents. The teachers were sitting<span style="font-size: x-small">,</span> the students were listening and the parents were just worrying.</p>
<p><strong><span style="font-size: xx-small">!Note </span></strong>- We don&#8217;t usually put a comma before the word &#8216;and&#8217;.</p>
<div align="left"><img src="http://www.learnenglish.de/i/navigate/up.gif" alt="Top" width="14" height="14" border="0" /></div>
</div>
</td>
</tr>
<tr>
<td align="center" bgcolor="#cccccc"><strong>Colons [:]</strong></td>
</tr>
<tr>
<td align="center" bgcolor="#cccccc">
<div align="left">Colons precede a list, an explanation or an example. You do not put a space before a colon, but you do need a space after one.</div>
</td>
</tr>
<tr>
<td align="center" bgcolor="#cccccc">
<div align="left">
<p><strong><em>For example:</em></strong>-</p>
<p>&#8220;There are two main shopping areas in Nottingham: Broadmarsh Centre and Victoria Centre.&#8221;</p>
</div>
</td>
</tr>
<tr>
<th bgcolor="#FFFFFF">
<div align="left"><img src="http://www.learnenglish.de/i/navigate/up.gif" alt="Top" width="14" height="14" border="0" /></div>
<p>Full stops [.]</th>
</tr>
<tr>
<td bgcolor="#FFFFFF">Full stops (periods in the USA) go at the end of sentences that are statements. You do not put a space before a full stop, but you do need at least one space after one (two spaces for purists, but in these days of computers and e-mails one space is fine).</td>
</tr>
<tr>
<td bgcolor="#FFFFFF"><em><strong>For example:-</strong></em></p>
<p>My name is Lynne<strong>.</strong> I am a teacher<strong>.</strong></p>
<div align="left"><img src="http://www.learnenglish.de/i/navigate/up.gif" alt="Top" width="14" height="14" border="0" /></div>
<div align="center"></div>
</td>
</tr>
<tr>
<th bgcolor="#CCCCCC">Hyphens [-]</th>
</tr>
<tr>
<td bgcolor="#CCCCCC">Hyphens are used to connect words or syllables, or to divide words into parts. You don&#8217;t use a space on either side of a hyphen.</td>
</tr>
<tr>
<td align="left" bgcolor="#CCCCCC"><strong><em>For example:-</em></strong></p>
<p>There were ninety-nine red balloons.</td>
</tr>
<tr>
<th bgcolor="#FFFFFF">
<div align="left"><img src="http://www.learnenglish.de/i/navigate/up.gif" alt="Top" width="14" height="14" border="0" /></div>
<p>Question marks [?]</th>
</tr>
<tr>
<td bgcolor="#FFFFFF">Question marks go at the end of sentences that are questions. As with full stops you do not put a space before a question mark, but you do need at least one space after one (two spaces for purists).</td>
</tr>
<tr>
<td align="left" bgcolor="#FFFFFF"><strong><em>For example:-</em></strong></p>
<p>Is my name Lynne<strong>?</strong> Of course it is.</td>
</tr>
<tr>
<td bgcolor="#FFFFFF">You need a question mark at the end of tag questions too.</p>
<p>For example:-</p>
<p>It&#8217;s a nice day, isn&#8217;t it?</p>
<p>&nbsp;</td>
</tr>
</tbody>
</table>
<table width="95%" border="0" align="center" bgcolor="#C0C0C0">
<tbody>
<tr>
<td align="center" bgcolor="#CCCCCC"><strong>Semicolons [;]</strong></td>
</tr>
<tr>
<td align="center" bgcolor="#CCCCCC">
<div align="left">Semicolons are used to separate two sentences that would otherwise be joined with a word such as &#8216;and&#8217;, &#8216;because&#8217;, &#8216;since&#8217;, &#8216;unless&#8217; or &#8216;while&#8217;. You do not put a space before a semicolon, but you do need a space after one.</div>
</td>
</tr>
<tr>
<td align="center" bgcolor="#CCCCCC">
<div align="left">
<p><strong><em>For example:-</em></strong></p>
<p>&#8220;I&#8217;m looking forward to our next lesson; I&#8217;m sure it will be a lot of fun.&#8221;</p>
</div>
</td>
</tr>
<tr>
<td align="center" bgcolor="#FFFFFF">
<div align="left"><img src="http://www.learnenglish.de/i/navigate/up.gif" alt="Top" width="14" height="14" border="0" /></div>
<p><strong>Quotation marks (Speech marks) | Double quotes [" "] Single quotes [ ' ' ]</strong></td>
</tr>
<tr>
<td align="center" bgcolor="#FFFFFF">
<div align="left">Quotation marks (single or double) are used to show words that are directly spoken (direct speech). Only the words actually being quoted are enclosed by speech marks. You need a space before the opening speech mark, but no space after it, and a space after the closing one, but no space before it.</div>
</td>
</tr>
<tr>
<td align="center" bgcolor="#FFFFFF">
<div align="left">
<p><strong><em>For example:-<br />
</em></strong>&#8220;Could everyone sit down please,&#8221; said the teacher<strong>.</strong></p>
<p>Another general rule is to use a comma after the introduction to quoted speech or writing.</p>
<p><em><strong>For example:- </strong></em><br />
Jamie said, &#8220;I love you.&#8221;</p>
<p>Sometimes when writing a spoken sentence it is split in two. The speech marks must then be placed at the beginning and end of each part of the sentence. Commas are used to separate the spoken part from the rest of the sentence.</p>
<p><strong><strong><em>For example:-<br />
</em></strong>&#8220;</strong>I wonder<strong>,&#8221;</strong> she said quietly<strong>, &#8220;</strong>whether people will ever truly understand each other<strong>.&#8221;</strong></p>
<p>However if you need a question mark or exclamation mark the markers that punctuate the quoted words are enclosed by the speech marks.</p>
<p><em><strong>Spot the difference:-</strong></em><br />
&#8220;I don&#8217;t understand,&#8221; replied Nathan.<br />
Nathan replied, &#8220;I don&#8217;t understand.&#8221;</p>
<p>&#8220;Do you understand?&#8221; asked Nathan.<br />
Nathan asked, &#8220;Do you understand?&#8221;</p>
<p>&#8220;I don&#8217;t understand!&#8221; shouted Nathan.<br />
Nathan shouted, &#8220;I don&#8217;t understand!&#8221;</p>
</div>
</td>
</tr>
<tr>
<td align="center" bgcolor="#ffffff" height="19">
<h5 align="left">A brief note from history</h5>
<p align="left">When Alexander Dumas completed his sequel to &#8216;The Three Musketeers&#8217;, he sent the manuscript to his publishers. After a few weeks he had heard nothing and wrote a short note:-</p>
<p align="center">Dear Henri<br />
?<br />
Alexandre</p>
<p align="left">He received the reply:-</p>
<p align="center">Dear Alexandre<br />
!!<br />
Henri</p>
</td>
</tr>
</tbody>
</table>
<p>source from: <a href="http://www.learnenglish.de/">learnenglish</a></p>



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		<title>The Active Voice</title>
		<link>http://www.vietesl.com/english-grammar/the-active-voice/</link>
		<comments>http://www.vietesl.com/english-grammar/the-active-voice/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 10:48:22 +0000</pubDate>
		<dc:creator>thanhlangtu</dc:creator>
				<category><![CDATA[English Grammar]]></category>
		<category><![CDATA[The Active Voice]]></category>

		<guid isPermaLink="false">http://www.vietesl.com/?p=1662</guid>
		<description><![CDATA[We say things in the active voice when we want to show who or what has done something. In the active voice the agent (the person or thing that does something) is the subject of the sentence. For example: &#8220;She cleaned the office.&#8221; (Who cleaned the office? She did=the subject) &#8220;He crashed into my car.&#8221; [...]]]></description>
			<content:encoded><![CDATA[<p>We say things in the active voice when we want to show who or what has done something.</p>
<p>In the active voice the agent (the person or thing that does something) is the subject of the sentence.</p>
<blockquote><p><em>For example</em>:</p>
<p>&#8220;She cleaned the office.&#8221; (Who cleaned the office? She did=<em>the subject</em>)</p>
<p>&#8220;He crashed into my car.&#8221; (Who crashed into my car? He did=<em>the subject</em>)</p></blockquote>
<p>The active voice uses fewer words than the passive voice.</p>
<p>source from: <a href="http://www.learnenglish.de/">learnenglish</a></p>



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		<title>Future Tense</title>
		<link>http://www.vietesl.com/english-grammar/future-tense/</link>
		<comments>http://www.vietesl.com/english-grammar/future-tense/#comments</comments>
		<pubDate>Mon, 17 Oct 2011 01:36:25 +0000</pubDate>
		<dc:creator>thanhlangtu</dc:creator>
				<category><![CDATA[English Grammar]]></category>

		<guid isPermaLink="false">http://www.vietesl.com/?p=1648</guid>
		<description><![CDATA[Discussing the future using going to We say something is going to happen when it has already been planned. For example:- Q) Are you going to fly to Germansy? A) No, we&#8217;re going to drive. We also use it to show something has already been decided. For example:- &#8220;We&#8217;re going to buy a new car next year.&#8221; [...]]]></description>
			<content:encoded><![CDATA[<h3><a id="GoingTo" name="GoingTo"></a>Discussing the future using <em>going to</em></h3>
<p>We say something is going to happen when it has already been planned.</p>
<p><em>For example</em>:-</p>
<p>Q) Are you going to fly to Germansy?<br />
A) No, we&#8217;re going to drive.</p>
<p>We also use it to show something has already been decided.</p>
<p><em>For example</em>:-</p>
<p>&#8220;We&#8217;re going to buy a new car next year.&#8221;</p>
<p>We also use going to when we can see something is about to happen.</p>
<p><em>For example</em>:-</p>
<p><img src="http://www.learnenglish.de/IMAGES/Vocab/Tenses/blackcloud.gif" alt="black cloud" width="77" height="50" border="0" /> &#8221;Look at that cloud. I think it&#8217;s going to rain.&#8221;</p>
<p><img src="http://www.learnenglish.de/IMAGES/Vocab/Verbs/crash.gif" alt="to crash" width="201" height="104" border="0" /> &#8221;Watch out! He&#8217;s going to crash into that tree!&#8221;</p>
<p>You can also use <em>going to</em> to predict the future based upon the evidence now.</p>
<p><em>For example</em>:-</p>
<p>&#8220;It looks as though Manchester United are going to win the European cup.</p>
<p>&#8220;I think my friend Louise is going to have a baby.&#8221;</p>
<p><strong>!Note</strong></p>
<p>Thanks to Ken Anderson for pointing out the following:-</p>
<p>&#8220;I&#8217;m going to Germany.&#8221; isn&#8217;t really the future tense. You would have to say &#8220;I&#8217;m <em><strong>going to go to</strong></em> Germany.&#8221;</p>
<h3><a id="ShallWill" name="ShallWill"></a>Discussing the future using <em>shall/will</em></h3>
<p>When we give information about the future or predict future events that are not certain we usually use shall/will.</p>
<p><em>For example</em>:-</p>
<p>Q) Who do you think <em>will win</em> the election?&#8221; A) &#8220;I&#8217;m not sure but I think the current party <em>will win</em>.&#8221;</p>
<p>We can also use shall/will to make promises for the future.</p>
<p><em>When leaving work I would say - </em>&#8220;Goodnight, <em>I&#8217;ll</em> (I will) see you tomorrow.&#8221;</p>
<p>Shall/Will is often used when we just decide to do something.</p>
<p><em>For example</em>:-</p>
<p><em>The phone is ringing </em>- <em>If I decide to answer the phone I would say</em> - &#8220;<em>I&#8217;ll</em> (I will) get it.&#8221;</p>
<p>It can also be used in formal situations to express planned events and is preferred in formal written English.</p>
<p><em>For example</em>:-</p>
<p>The party <em>will start</em> at 10.00pm.</p>
<p>source from: <a href="http://www.learnenglish.de/">learnenglish</a></p>



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		<title>Auxiliary Verbs</title>
		<link>http://www.vietesl.com/english-grammar/auxiliary-verbs-2/</link>
		<comments>http://www.vietesl.com/english-grammar/auxiliary-verbs-2/#comments</comments>
		<pubDate>Mon, 17 Oct 2011 01:35:52 +0000</pubDate>
		<dc:creator>thanhlangtu</dc:creator>
				<category><![CDATA[English Grammar]]></category>

		<guid isPermaLink="false">http://www.vietesl.com/?p=1647</guid>
		<description><![CDATA[Auxiliary verbs are used together with a main verb to give grammatical information and therefore add extra meaning to a sentence. Information that is not given by the main verb. They are used to form the passive voice. They are used to form the continuous tense. They are used to form the perfect tense. Be, Do and Have are auxiliary verbs, they are irregular verbs and [...]]]></description>
			<content:encoded><![CDATA[<p>Auxiliary verbs are used together with a main verb to give grammatical information and therefore add extra meaning to a sentence. Information that is not given by the main verb.</p>
<p>They are used to form the passive voice.</p>
<p>They are used to form the continuous tense.</p>
<p>They are used to form the perfect tense.</p>
<p>Be, Do and Have are auxiliary verbs, they are irregular verbs and can be used as main verbs. The verbs &#8216;to be&#8217; and &#8216;to have&#8217; are the most commonly used auxiliary verbs and work alongside the main verbs in any statement.</p>
<p>Modal verbs are also auxiliary verbs, but will be treated separately, these are can, could, may, might, must, shall, should, will, and would, they differ from the others in that they can never function as a main verb.</p>
<p>&nbsp;</p>
<p>Be is the most common verb in the English language. It can be used as an auxiliary and a main verb. It is used a lot in its other forms.</p>
<p>Base form = <em>be</em></p>
<p>Present form = <em>am/is/are</em></p>
<p>Past form = <em>was/were</em></p>
<p>Present Participle / Gerund = <em>being</em></p>
<p>Past Participle = <em>been</em></p>
<h5></h5>
<h5><a id="ToDo" name="ToDo"></a><strong>To do</strong></h5>
<p>The verb do is one of the most common verbs in English. It can be used as an auxiliary and a main verb. It is often used in questions.</p>
<p>Base form = <em>do</em></p>
<p>Present form =<em> do/does</em></p>
<p>Past form = <em>did</em></p>
<p>Present Participle / Gerund = <em>doing</em></p>
<p>Past Participle = <em>done</em></p>
<h5></h5>
<p>!Note - The auxiliary verb <em>&#8216;do&#8217; </em>is <strong>always </strong>followed by the base form (infinitive).</p>
<p><a href="http://www.learnenglish.de/grammar/verbaux.htm#top"><img src="http://www.learnenglish.de/i/navigate/up.gif" alt="Top" width="14" height="14" border="0" /></a></p>
<h5><a id="Have" name="Have"></a><strong>To have</strong></h5>
<p><em>Have </em>is one of the most common verbs in the English language.</p>
<p>Base form = <em>have</em></p>
<p>Present form =<em> have / has</em></p>
<p>Past form = <em>had</em></p>
<p>Present Participle / Gerund = <em>having</em></p>
<p>Past Participle = <em>had</em></p>
<p>source from: <a href="http://www.learnenglish.de/">learnenglish</a></p>



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